Stockholm Syndrome (CD)

Stockholm Syndrome delivers everything listeners have come to expect from Derek Webb: killer pop hooks and lyrics as thought provoking as they are emotionally revealing. Sonically, however, this record is a radical departure for Webb, who has left his acoustic, folk/rock roots behind for a sound he describes as “intentionally inorganic.” Together, Webb and Moore have succeeded in creating a dense, richly absorbing sonic vernacular that pays homage to an entire century of music. From 1920’s jazz to 1950’s doo-wop, from disco and dance music to old-school R&B, Webb uses this album as a means of exploring deep issues through the central metaphor of Stockholm Syndrome, illuminating the ways in which a society can fall in love with an oppressive culture and become enslaved by it. That sound is palpable in every track from the strut of “Black Eye” and “Cobra Con” to the electropop of “Jena & Jimmy” and Webb’s ironic Fred Phelps-inspired love song, “Freddie, Please.” “Instead of writing a dozen songs and then trying to figure out the best way to record them, Josh and I spent a year collecting sounds we loved – beats, loops, odd bits of programming – then weaving those elements into tracks that moved us and made us feel something,” comments Webb. “Only then did we even begin to think about song structures and melodies and lyrics. It was the total reverse of my usual process and by far the most fun I’ve ever had making a record.”