In the Company of Angels; A Call to Worship

All creation moves in a cosmic danse before the Lord, her King
And the rhythm’s the reason and the rhyme of the danse
That pulses within everything
And the universe wheels and whirls like a dervish
In perfect seven-step time
The Lord made the danse and He taught her the steps
And He causes the sun to shine

We must danse, danse, danse, danse in God’s honor
We must yield all of our steps unto the King
We must danse, danse, danse, danse in God’s honor
Let His praises ring throughout the earth

Well, Adam and Eve dansed in Eden’s environs
Early in earth’s morning air
They named all the animals musical names
Glorious potentiality shared
But Lucifer sang out a serpentine song
And offered death’s danse as a token
And pausing to listen Adam missed a step

Earth’s harmony and the danse broken

You must danse, danse, danse, danse in God’s honor
You must yield all of your steps unto the King
You must danse, danse, danse, danse in God’s honor
Let His praises ring throughout the earth

Jesus dansed into the world singing His heavenly song
And He taught the danse to those who would listen
And learn as He moved along
But the steps of His danse led to a cross
Where He died while the haters mocked on
And He dansed through death’s arms and over hell’s gates
And in three days dansed forth from His tomb

words and music by Kemper Crabb
© 1982 Fifth Monarchy Publishing / ASCAP (adm. by Music Services).
All rights reserved. Used by permission.

Laden with guilt and full of fears
I fly to Thee my Lord
And not a glimpse of hope appears
But in Thy written word
The volumes of my Father’s grace
Does all my grief’s assuage
Here I behold my Savior’s face
In every page

This is the field where hidden lies
The pearl of price unknown
That merchant is divinely wise
Who makes the pearl His own
Here consecrated waters flow
To quench my thirst of sin
Here the fair tree of knowledge grows
No danger dwells within

This is the judge that ends the strife
Where wit and reason fail
My guide to everlasting life
Throughout this gloomy vale
O may Thy counsels, mighty God
My roving feet command
Nor I forsake the happy road
That leads to Thy right hand

words by Isaac Watts, music by Sandra McCracken
© 2001 Same Old Dress Music / ASCAP (adm. by Music Services).
All rights reserved. Used by permission.

The Lord is a Warrior
The Lord is mighty in battle
The Lord is a Warrior
The Lord of Hosts is He

My Lord is a Fortress
He is a Sun and a Shield
The Lord is a Deliverer
To those who put their trust in Him

He gives strength unto His people
He guards His own with His Right Hand
The Angel of the Lord camps around the ones who fear Him
And delivers them

words and music by Kemper Crabb
© 1980 Fifth Monarchy Publishing / ASCAP (adm. by Music Services).
All rights reserved. Used by permission.

Oh Lord I give You all I have
But it seems so little
When You have given me so much
I come to You with empty hands
And a heart that’s fragile
You come to me with a wealth of love

Oh Lord your love
Is new with every morning
Your faithfulness
It gets me through the night
You bid me come
You know that I am weary
Your yoke is easy
Your burden is light

And now I sing You songs of praise
But Your greatness is beyond me
I know I cannot comprehend
How You ancient of days
Stoop Yourself to call me
To be Your son, to be Your friend

Oh Lord I give You all I have
But it seems so little

words by Rich Mullins, music by Rich Mullins and Cliff Young
© 2001 mullinsongs / ASCAP (adm. by BMG Songs, Inc.) /
Silver King Publishing / ASCAP (adm. by Music Services).
All rights reserved. Used by permission.

No more my God, I boast no more
Of all the duties I have done
I quit the hopes I held before,
To trust the merits of Thy Son

Now, for the loss I bear his name,
What was my gain I count my loss
My former pride I call my shame
And nail my glory to His cross

Yes, and I must, I will esteem
All things but loss for Jesus’ sake
O may my soul be found in Him
And of His righteousness partake

The best obedience of my hands
Dares not appear before Thy throne
But faith can answer Thy demands
By pleading what my Lord has done

words by Isaac Watts, music by Sandra McCracken
© 2001 Same Old Dress Music / ASCAP (adm. by Music Services).
All rights reserved. Used by permission.

Lord of all creation
Of water, Earth and sky
The heavens are Your tabernacle
Glory to the Lord on high

God of wonders beyond our galaxy
You are holy, holy
The universe declares Your Majesty
You are holy, holy
Lord of Heaven and Earth
Lord of Heaven and Earth

Early in the morning
I will celebrate the light
When I stumble in the darkness
I will call Your name by night

Hallelujah to the Lord of Heaven and Earth
Hallelujah to the Lord of Heaven and Earth
Hallelujah to the Lord of Heaven and Earth

words and music by Marc Byrd and Steve Hindalong
© 2000 Storm Boy Music / BMI (admin. by The Loving Company) /
New Spring Publishing, Inc. / Never Say Never Songs / ASCAP (both admin. by Brentwood-Benson Music Publishing, Inc.).
All rights reserved. Used by permission.

We are called out; we are ransomed
We are not of the world we’re in
We are chosen; we are blessed
To bring light to the lives of men
So Father sow your seed
Give us life in community
Wake us from our sleep
This is Your time; this is Your place
And we are vessels for breaking

Under Your grace, we are led by Your Spirit
You have redeemed us by the blood of Your Son
Give us Your Word; we are eager to hear it
Ready our hearts to carry Your love

You are sunlight; You are morning
You’re the hope of a brand new day
You are comfort; You are blessing
And You wipe all our tears away
So change us from within
Render miracles from our sin
Remind us once again
This is Your time; this is Your place
We are vessels for breaking

words and music by Aaron Senseman
© 2001 Stuntman Music / ASCAP.
All rights reserved. Used by permission.

When I was young
You were my breath and heartbeat
Born in the dark
You were the hand that held me
You opened Your arms
Called me to Your salvation
Your infinite love
Echoes in all creation

For who You are
You're the Great I Am
For who You are
You're the Son of man
For who You are
I am who I am

Father of grace
I am Your child of mercy
Inside my heart
And all around me I see the glory

Of who You are
You’re the Great I Am
Of who You are
You’re the Son of man
Of who You are
I am who I am
You pulled me out of darkness
You pulled me out of all my emptiness
You are Your instrument of praise

words and music by Joshua Moore
© 2001 Joshmooreownsthis Music / ASCAP (adm. by Music Services).
All rights reserved. Used by permission.

There is life in the blood of the Lamb who was slain
There is power, there is power in His name
There is love pouring out of the wounds that were made
Pouring out, pouring over our shame

So praise the God who saves
Praise the God who bled
Praise the God who was nailed to a tree
And wore our sins upon His head

There is truth in His body, raised that third day
There is joy in a stone rolled away
There is hope pouring out of the tomb where He lay
Pouring out, pouring over the grave

For He lives that we too might live
And He loves that we might also love
And know the glory of God above

words and music Aaron Senseman
© 2001 Stuntman Music / ASCAP.
All rights reserved. Used by permission

Thy mercy my God is the theme of my song
The joy of my heart and the boast of my tongue
Thy free grace alone from the first to the last
Hath won my affections and bound my soul fast

Without thy sweet mercy I could not live here
Sin soon would reduce me to utter despair
But through thy free goodness my spirits revive
And He that first made me still keeps me alive

Thy mercy is more than a match for my heart
Which wonders to feel its own hardness depart
Dissolved by Thy goodness I fall to the ground
And weep to the praise of the mercy I’ve found

Great Father of mercies Thy goodness I own
And the Covenant love of Thy crucified Son
All praise to the Spirit whose whisper divine
Seals mercy and pardon and righteousness mine!

Before there was time
There were visions in Your mind
There was death in the fall of mankind
But there was life in salvation’s design
Before there were days
There were nights I could not see Your face
But the night could not keep me from grace
When You came and took my place

So I cry holy only begotten Son of God
Ancient of days
I cry holy only begotten Son of God
And sing the praises
Of the One who saved me
And the promises He made

Before there was time
You counted the hairs on my head
You knew all the words I’ve said
And You purchased me back from the dead
Before I was made
You searched me and knew my ways
You numbered all my days
And You set forth the steps I would take

You saved me; You raised me
You saved me; You pulled me from the grave

We delight in the law of Your Word
We delight in the Son who was perfect from birth
We delight in the day He's returning to earth
Hallelujah, hallelujah

We will bow our hearts because we are free
As we raise our hands to give You glory
Father of life and love and infinite worth
We're delivered by blood that flows from the tree
Draw us near to You, vessels of Your mercy
Before the invention of man.the glorious trinity

We will lift our eyes to the cloud and the flame
Lord, You guide our steps and restore us again
The nations of man will rejoice in the God of the wilderness

We Delight

We Delight was written as a link between the two testaments concerning worship. The first verse is a reflection of our reasons to rejoice in the church age, while the second verse demonstrates the joy that the Israelites experienced after their deliverance and conquest of the Promised Land. The chorus is the proverbial "middle ground." Through every facet of ancient Jewish ceremonial law, the Israel of the Old Testament was very clearly celebrating the coming of Christ and looking forward in time to His sacrifice. Meanwhile, the Christians of the present age look back to the crucifixion in worship and doctrine. Therefore, the children of God from every age may clearly rejoice in the same thing.

Before There Was Time

We are simply awestruck by the depth and breadth of God’s plan and provision, to know that we are in His grasp more tightly than we can possibly understand.

Thy Mercy

Like a tuning fork across time, these lyrics penned by John Stocker in 1776 resonate with my soul in its deepest parts. It reminds me of two things that I am desperate to hear: the wonders of God’s mercy and my unworthiness. We run from Him still, clenching our rebellion and rags, yet He pursues us relentlessly like a jealous lover only to exchange our rebellion for a Covenant of His complete pardon and to replace our rags with the perfect righteousness of Jesus. How then would we as a people be changed if we could weep fresh tears in worship and gratitude of this great love? May this be our joy, our boast, and our enduring song.

God Who Saves

This was written in reaction to a destructive trend in some modern churches to remove the crucifixion and references to the blood of Christ from scripture and hymns on the grounds that a loving God would not require such a barbaric act to save His people. While it was indeed barbaric, it is the foundation of our faith and must never be forgotten. If Christ was not raised from the dead, what hope could we possibly have?

Who You Are

The idea of worshipping God for who He is, irrespective of what He has done for us, has always fascinated me. It is the essence of Biblical worship and a sort of motto for creation. That is that God has made his eternal qualities known, but regardless of our acceptance of those truths, His chief end is to glorify Himself. Therefore, the ability to share in the knowledge of who and what He is can and must be a product of grace.

Carry Your Love

The concept basically concerns equipping - coming together in worship for the purpose of proclaiming God’s glory. It expresses our understanding of what He has done for us and who we are as believers. We live in anticipation of the sanctifying work of His Spirit which prepares us to go forth from worship, in worship, renewed and ready to demonstrate the gospel to the world.

I Boast No More

Not to be mistaken for an anthem of human effort and persistence, this hymn is about the freedom we find in the finished work of Jesus. Here again, Isaac Watts proclaims that our confidence, our brokenness, and our whole being are found hidden and humbled in Christ. We therefore have no record of our own to defend or protect, nor do we have something left to build or maintain. All has been accomplished and sealed in Jesus. We are called only to rest in His intercession for us, now and with every passing hour as it was when we first believed.

Warrior

This song is meant to counter the modern theological aberration that sets the mercy and love of God over His righteousness and justice. All of God's attributes are equally ultimate (He is not more loving than He is just), and my hope is that our view of who God is would be restored to a biblical balance by songs that emphasize the aspects of God's character that we have been overlooking in our worship and theology. Christ is the covenant-Lord who comes to deliver His people.

Laden With Guilt

These lyrics are a rare find in our rich history of hymns because this is one of the few hymns that focuses on the beauty of Scripture. Isaac Watts here comes to the Word of God with his burden of sin and sickness to find comfort, wisdom, grace, and counsel. Although reading your Bible does not earn you any favor with God, to not read it is to starve your soul of its very food and nourishment. As holy words of all truth, beauty, intellect, and creativity, the Word is a living, perfect means by which we encounter our Father, our Savior, and our Counselor.

The Danse

The Danse is a celebration of the gospel story based on the medieval view of creation. Medieval people saw creation as a vast dance of praise to their Creator, which was interrupted by the Fall described in God's Law and lived out perfectly in the life of Jesus. The death, resurrection, and ascension of the same Lord Jesus restored Creation, so that those who believe and receive new life in Him can once again begin to dance the Great Dance to God's Glory.

Vibrant hues of blue and green, gold and red. Organ pipes stretch into a domed ceiling. Amber candle flames streak through etched stained glass to penetrate the darkness, the space. Below, surrounded by a piano and guitars, sit the members of Caedmon's Call, singing songs of worship… just another part of their day. They are in the company of their community, of each other, but more importantly, they are in the presence of God. This is the setting where most of In the Company of Angels: A Call to Worship, the new Essential Records release by Caedmon's Call, was recorded.

Four years ago, the band had a desire to see sincere fellowship among their local church body. That desire, combined with a hunger to return to the elements of the early church, spurred them to help create a service called Logos ("the Word") at their home church, Second Baptist, Houston. Incorporating creeds, hymns, and tradition, the band found what they believe to be a vital part of their Christian existence, a sense of community. Community and worshipping within that context are the foundation and vision behind this passionate new album.

Creating a worship album has been a long-time desire of the band, and they've finally found opportunity to give it proper focus, following the success of their independent efforts and three national release projects. Even with more than 750,000 units sold spanning their three best-selling and critically acclaimed recordings, several #1 Christian radio hits, and an Album of the Year Dove Award, the members of Caedmon's Call have managed to hold onto the simple roots which first formed the band nine years ago.

The band known as Caedmon's Call first began when Cliff Young (vocals, guitar) and his now-wife Danielle (Glenn) Young (vocals), began singing together in church. Gradually, the other members joined, and the band started touring colleges. A few years later, Caedmon's Call was offered the chance to lead worship every week at a Houston-area Bible study with close to 1,000 of their peers. As their careers evolved, the band always remained anchored in their home church.

"We're all called to be a hand or a foot or a face in our local body of Christ, and hopefully we've played our musician role in that by playing instruments and leading worship," Young says. "All we're trying to do through this record is express what we've been doing in our church for a long time. We're not trying to pull music out of nowhere and put it down. This is an extension of something we've been a part of for years."

Even though Caedmon's Call doesn't typically lead worship at their concerts and their songs don't usually reflect a worship style, the band's music has always been grounded in the idea of directing people to God in their everyday lives.

"We're learning that worship is more than playing music or singing a chorus over and over. It happens on a day to day basis," explains Todd Bragg (drums.) "In something as little as running an errand or doing a project around the house, we can worship through that. We can also worship in our struggles and our confusion. It ultimately comes down to understanding who God is, praising Him for being who He is and giving Him the glory."

Through a friendship with fellow artist Rich Mullins before his death, Young and the rest of the band were educated about the true essence of worship. That inspiration has become a cornerstone of what the band believes and the reason they feel worship to be such an intimate aspect of community, rather than a vehicle for drawing emotion out of their audiences.

"Rich used to talk about how people would come up to him after concerts and say, 'Wow! The Holy Spirit really moved at that certain point in the song,'" Young remembers. "And Rich would respond by saying, 'No actually, that's where the kick drum and the bass came in.' It's easy to mistake energy and emotion for worship. So it taught us that worship can be just as powerful when we're by ourselves in our room, in prayer, as it can be with 3,000 people getting chill bumps."

Caedmon's Call was fortunate to have been one of a select group of artists to be offered some of Mullins' unrecorded material earlier this year. They combined his lyrics and simple melodies with their own sounds to create "Oh Lord Your Love," a beautiful tale of humility and grace.

Rather than the usual two songwriters, Aaron Tate (founding member) and Derek Webb (lead vocals, guitars), who have penned most songs on Caedmons' previous albums, this collection offers a rare collaborative effort of all the band members and their extended community. In the Company of Angels contains the single, "Before There Was Time," by Young's brother-in-law Aaron Senseman, and the medievalesque "Warrior" and "The Danse" by one of the band's mentors, Kemper Crabb. In addition to offering his prodigious instrumental abilities, youngest member, Josh Moore (Hammond B-3, piano) also did much of the producing on the album and wrote two of the album's singles, "We Delight" and "Who You Are."

"Who You Are" was written as a simple song of praise, restating the idea that God deserves our worship not merely because of what He has given us, but more significantly, because He is God.

"The beginning verses are about what a child sees," explains Moore. "It's about being born and being young and what God is through us. When you're first called to understand God for who He really is, you're so awestruck. You're not fed up with the church or all these other things that can distract you; it's just a pure, vertical expression."

Another layer to the vertically aimed album exists by the inclusion of three old hymns. Contributed by Webb, along with his wife, songwriter Sandra McCracken who wrote the updated music, the hymns provide a classical element, a deeper example of worship in its truest form.

"The Western Church has lost sight of the idea that worship music can engage the mind and not just the emotions," Webb observes. "The purpose of hymns is the same as the liturgy and confessions of the Ancient Church. That purpose is to cause us, as we worship corporately, to confess what it is we believe about God and who we believe Him to be."

In keeping the content aligned with the purpose of the recording, every song resounds with the attributes and character of God, reflecting the ultimate reason for offering worship unto Him:

Because He is good, as stated in the old hymn, "Thy Mercy"
Because He is mighty, as expressed in the song "Warrior"
Because He is forgiving, as is humbly confessed in "I Boast No More"
Because He is omnipresent, as revealed in "Before There Was Time"
Because He is faithful, as poured out in Rich Mullins' lyrics to "Oh Lord Your Love"

And finally, but most importantly, as "Who You Are" describes.simply because He is.

Also reminiscent of the roots of Caedmon's Call is the production on In the Company of Angels, which borrows largely from the organic vibe they achieved on their independent projects years ago. Heavily percussive, this album departs from the trashcan sounds used on albums past, instead incorporating a more appropriate global feel to this community-inspired project. Irish frame drums and Indian tablas are a curtain for the band's signature acoustic guitars and vocal harmonies. Organ and piano are also a salient element throughout.

"The album has an old-world feel to it. Some of the songs were taken from writers who lived in centuries past," describes Garett Buell (percussion.) "The music is somewhat contemporary, but the traditional elements are still evident. The predominant tone is that God is being worshipped. There are no self-focused songs just to make people feel good about themselves. It's strictly as worship should be.to glorify and praise God."

As anyone who has ever attended their concerts can attest, the live show is a big part of what Caedmon's Call is about. Touring roughly 150 concert dates per year, the band members have always thrived on the opportunity to interact with fans and create an intimate, interpersonal concert setting. With their ministry focusing primarily on college audiences and with an established, unique fan-base known as The Guild, it is fitting that the band chose to include that aspect of their community on this recording. At a recent Texas-college concert, the band captured a live version of "God of Wonders" for one of the album's two live tracks. Long before it appeared on the album City On A Hill: Songs Of Worship And Praise(Essential Records) and became a Dove Award nominated worship song, one of its writers, Steve Hindalong, gave Caedmon's Call access to "God of Wonders" to see how it translated in a live worship setting. Since then, the song has become an important part of the Logos service and the band's live concerts. At this particular concert, a huge audience is heard meshing flawless four part harmonies to provide some unparalleled musical moments on the album.

"There are a lot of qualities that you hear live that you don't necessarily hear in a studio recording," Bragg describes. "The energy and the spirit of the music is felt, and everybody's personalities come through so there's a lot more being conveyed. That's really powerful."

In the Company of Angels, with its convergence of traditional and modern elements, does much more than convey the personalities of the albums' performers. It answers a call to worship. It is an offering of humble adoration and an invitation to join the community of those who seek to adore. As with every Caedmon's Call album before it, it does so in a way that is both moving and memorable. Caedmon's Call offers a collection of songs that point all things back to God in the purest sense of what worship is meant to be.

"We have put together a record that is focused completely on worshipping God," Buell explains. "We've always believed that the church and the community within, is integral to the Christian life. We hope that these songs will make their way into the church and be sung to give praise to God and that the band that wrote and produced them would be forgotten. We also hope that the people singing them would forget themselves for awhile and focus on nothing besides the God who delights in our worship of Him."